![]() ![]() Taking cues from the streets of Central City, rappers Tec-9 and Lil Ya rapped over the Triggerman beat with a gangster edge. recorded their first song, “Another Bitch,” in 1992. ![]() Newton’s was also where rap group U.N.L.V. His rapping on “Bounce for the Juvenile” marked the start of a career that went to the top of the national charts. It also included the first recording credit by Juvenile, who, true to his name, was 17 at the time. It featured Jimi’s version of “Where They At,” a landmark bounce track. Norman tapped his friend Derrick “Mellow Fellow” Ordogne to produce a full-length DJ Jimi album called “It’s Jimi” on his Avenue label. He saw bounce spreading across the city and jumped on the trend with the help of Sea-Saint Studio assistant Dion “Devious” Norman. The recording had an unlikely champion in Isaac Bolden, a 1960s-era record man. Each successive bounce song referenced its predecessors while adding a new stylistic element, and Jimi’s contribution became one of the most influential. DJ Jimi, a pioneer of New Orleans hip-hop, began a regular gig in this low-slung corner barroom in the 1980s, when it was called Newton’s. In 1992 he was one of several rappers who picked up on TT Tucker and DJ Irv’s seminal bounce track “Wha Dey At” (also recorded as “Where Dey At?”), laying down his own vocals on its looped Triggerman beat. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |